“It isn’t enough to love a child and wish her well. It isn’t enough to open my heart to a bird-graced morning. To love is to affirm the absolute worth of what you love and to pledge your life to its thriving – to protect it fiercely and faithfully for all time.”
Distinguished Professor Emerita at Oregon State University
Co-founder of the Spring Creek Project for Ideas, Nature and the Written Word at O.S.U.
Author of numerous books including, most recently, Pine Island Paradox: Making Connections in a Disconnected World; Great Tide Rising: Towards Clarity and Moral Courage in a Time of Planetary Change; and Piano Tide: A Novel
Collaborator with concert pianist Rachelle McCabe on a performance project Climate Action: Music and the Spoken Word
Moore and many others are waging a moral battle for the environment. As she has said, “[g]lobal warming is primarily a moral issue. It’s a result of a moral failure, and it calls for a moral response.”
Moore was born on July 6, 1947, and she was reared in Berea, Ohio. She earned a Bachelor’s degree in Philosophy and French from the College of Wooster in 1969. Moore went on to the University of Colorado, where she completed both a Master’s degree and a Doctorate of Philosophy by 1977. Moore, who splits her time between homes in Oregon and Alaska, is married to neurobiologist Frank Moore, and they have two children (both of whom are university professors), Erin Moore and Jonathan Moore.
Moore, Distinguished Professor Emerita at Oregon State University, spent the early part of her academic career studying issues of justice and critical thinking. Her dissertation, which focused on questions regarding pardons, clemency and the roles they play in the administration of justice, was expanded into an academic book, Pardons: Justice, Mercy and the Public Interest. She then became much more focused on issues surrounding environmental justice and climate change. Moore’s 1996 work Riverwalking: Reflections on Moving Water embodied her idea that “[t]o love a person or place is to take responsibility for its well being.” In her work Holdfast: At Home in the Natural World (1999). Moore reflected on the interrelationships of all living things on the planet, and why we should be doing more to honor those relationships. Moore continues with this theme in her work Pine Island Paradox: Making Connections in a Disconnected World (2005). This sensibility, specifically regarding the gift that is the planet Earth, fits with Moore’s point that “[f]ailing to notice a gift dishonors it, and deflects the love of the giver.” In 2010, Moore, along with her Oregon State colleague Michael P. Nelson, published Moral Ground: Ethical Action for a Planet in Peril, a collection of essays written by leaders in a diversity of fields who all make the case for doing what is necessary to combat climate change and honor the planet.Moore co-founded the Spring Creek Project for Ideas, Nature and the Written Word at Oregon State. She served as the organization’s director for ten years, and she was named a Spring Fellow. It was in 2013, the same year Moore was named Artist-in-Residence at the Denali National Park and Preserve in Alaska, that she decided to leave academia and focus her full attention on that moral battle necessary to combat climate change. “We must live according to the principle of a land ethic. The alternative is that we shall not live at all.”
In Moore’s most recent non-fiction book, Great Tide Rising: Towards Clarity and Moral Courage in a Time of Planetary Change, she puts forth a clarion call for all people to act to save our planet. Though there were some efforts made during the Obama administration to address the climate crisis, they were not as comprehensive as the crisis requires. Yet, there was some movement, globally, to begin making changes within an internationally agreed upon framework. However, with the Trump administration, those modest efforts have been abandoned outright. Moore writes, “We’re making it worse. We’re turning our government over, and our regulatory agencies over, to the fossil fuel industry. We are doubling down on destroying any regulations that might stop methane…that might stop fossil fuel spills.” Moore correctly indicts those institutions many people turn to for answers to genuine societal challenges: “[W]e have been utterly failed by the corporate controlled media. We’ve been failed by the federal government. We’ve been failed by corporations who could have found their better selves.” In the face of those failures, Moore keeps battling on, and in continually innovative ways – ways that she hopes will inspire more people to join her fight.
In 2017, Moore published her first novel, Piano Tide: A Novel, exploring environmental philosophy and justice in fiction. And most recently, Moore has been working with concert pianist Rachelle McCabe on a project called Climate Action: Music and the Spoken Word (2018). This effort employs the emotional power of music to communicate the urgency of our climate crisis. Moore continues to show the world her warrior spirit, and in her search for tools to protect the planet, she inspires and leads all of us who need to know that we are not alone in our desire to save the Earth.
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